Title and statement of responsibility area
Title proper
Booklet Containing Correspondence and Artifact Records
General material designation
- Textual record
- Graphic material
Parallel title
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- Source of title proper: Title is based on the contents of the file.
Level of description
File
Reference code
LoAA31-S3-F3
Edition area
Edition statement
Edition statement of responsibility
Class of material specific details area
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
Date(s)
-
1968 (Creation)
- Creator
- Ellis Pryce-Jones
Physical description area
Physical description
0.2 cm of textual records.
Publisher's series area
Title proper of publisher's series
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Archival description area
Name of creator
(1945 - 2004)
Biographical history
Ellis Pryce-Jones was a Canadian-American amateur archaeologist and theatre scholar who was born in Vancouver on May 12, 1945. During his childhood, Pryce-Jones was a child actor in shows such as “Barney’s Gang” and “Follow Me” and soon received a scholarship to the Banff School of Fine Arts. Pryce-Jones was known to be a young, local, amateur archaeologist in the Vancouver area, which led to his participation in filmed television programmes concerning archaeological sites. He kept detailed
records in his notebooks about the “finds” he made while practicing archaeology, most of which were in the Marpole neighbourhood of Vancouver. He went on to attend the University of British Columbia where he studied theatre. During his time at UBC, Pryce-Jones became further involved in archaeology and worked with Dr. Charles Borden on projects at c̓əsnaʔəm (formerly called the “Marpole Midden”). Much of this work and the reported “finds” of Pryce-Jones occurred on the property of Ernie Burnett in
the Marpole area. He often traded artifacts in his personal collection with other archaeologists. He also participated in archaeological work on Vancouver Island and occasionally worked with Wilson Duff and John Sendey. After graduating from the theatre program at UBC in 1969, he then completed a master of fine arts degree in design from the Yale School of Drama in 1972. He was hired at the University of Las Vegas in 1972, where he became known for outstanding work in the theatre department, specializing in costume
and scene design. In 2003, he received the Charles Vanda Award for Excellence in the Arts as well as countless other awards for his work in the Nevada arts community. He died suddenly during his time in Las Vegas on Nov. 5, 2004.
records in his notebooks about the “finds” he made while practicing archaeology, most of which were in the Marpole neighbourhood of Vancouver. He went on to attend the University of British Columbia where he studied theatre. During his time at UBC, Pryce-Jones became further involved in archaeology and worked with Dr. Charles Borden on projects at c̓əsnaʔəm (formerly called the “Marpole Midden”). Much of this work and the reported “finds” of Pryce-Jones occurred on the property of Ernie Burnett in
the Marpole area. He often traded artifacts in his personal collection with other archaeologists. He also participated in archaeological work on Vancouver Island and occasionally worked with Wilson Duff and John Sendey. After graduating from the theatre program at UBC in 1969, he then completed a master of fine arts degree in design from the Yale School of Drama in 1972. He was hired at the University of Las Vegas in 1972, where he became known for outstanding work in the theatre department, specializing in costume
and scene design. In 2003, he received the Charles Vanda Award for Excellence in the Arts as well as countless other awards for his work in the Nevada arts community. He died suddenly during his time in Las Vegas on Nov. 5, 2004.
Custodial history
Scope and content
This file contains correspondence and artifact records were previously stored in between pages in the essay by Paul Leon, which have since been separated and put into plastic sleeves. A single page of correspondence between Ellis Pryce-Jones and the Centennial Museum (now Museum of Vancouver) curator Denis B. Alsford concerns the use of artifacts collected by Pryce-Jones being included in an exhibition. Two pages of artifact records, entitled “Artifact from the Collections of Ellis Price[sic]-Jones On Loan
to Vancouver City Museum are also included in the file. The booklet in which the records were originally stored is a copy of a paper in French produced by the Paris Etching Society concerning Bartolozzi’s famous “Les Douze Mois” etchings. A single reproduction of one of the etchings is included, titled “December”.
to Vancouver City Museum are also included in the file. The booklet in which the records were originally stored is a copy of a paper in French produced by the Paris Etching Society concerning Bartolozzi’s famous “Les Douze Mois” etchings. A single reproduction of one of the etchings is included, titled “December”.
Notes area
Physical condition
Some materials in this file have been placed in plastic sleeving in July 2023 to ensure preservation.
Immediate source of acquisition
Arrangement
Language of material
Script of material
Location of originals
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Terms governing use, reproduction, and publication
Under Copyright. Permission must be obtained from rights holder prior to reproduction or publication.
Finding aids
Associated materials
Accruals
Alternative identifier(s)
Standard number area
Standard number
Access points
Subject access points
Place access points
Name access points
- Ellis Pryce-Jones (Creator)